I have updated the Practical Ethics Gallery with fresh images from the work of Rob Hite. Here is an extract from the gallery text. Please stop in and see his wonderful work by clicking here.

cheers, Bill

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Rob’s early work routinely depicts people and animals through painting. The people are physically invisible in our field of view but are nonetheless manifest through their constructions. And the constructions are almost always juxtaposed and integrated into a landscape of animals and wildish nature. In my previous introduction to Rob’s gallery, I described this as a theme of ‘dwelling in mixed communities’. For Rob, dwelling is about people and animals living in natural and cultural landscapes. His art prefigures a vibrant vision of a mixed community of beings who are human and non-human, wild and domestic.

I think much of his latter work manifests this same vision, if in a different way. Take for example the sculpture and photography project, ‘Imagined Histories’. Here Rob creates sculptures of dwellings with a mythical sensibility, installs them in the landscape of the Hudson River Valley, and photographs the result. Displays of both the sculptures and photos are then shown in galleries around the Northeast. It is a beautiful body of art, some of which is shown here.

These sculptures and photographs are not adequately interpreted in terms of landscape art or sustainability alone. Rather Rob visually resituates human endeavours as part of a more than human world. He depicts humans as the animals we are, embedded in all we do in the natural world, dwelling amongst and with other creatures. He implies this through the scale of the sculptures, and the wildish looking locales in which they are photographed. His whimsical, mythological forms allow us to step back from current architecture and landscape development. To remember bedtime stories and ethnographic traditions of animal-friendly cultures, real or imagined. To envision other possibilities for living on earth.

Rob scales us down to size, visually, aesthetically and morally. He envisions a more humble humanity. And in so doing, he reveals an aesthetic and ethical landscape where we might live in a truly mixed community of people, animals and nature.

Image: Robert Hite. Bird Trap. 2006. Wood construction.